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Brother, We Are Devils! (10th Anniversary Edition)

by This Glass Embrace

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1.
I spent the night sleeping backwards at the foot of my bed Rearranging the furniture again and again It was better than nothing, but still just pretend A place you're tired of can never be new I never thought I'd be anxious to just get away It's been a year and a half since I last left the state I've never been one for travel, that empty escape But I find myself counting the days Count me out of your cheap superstitions I'll leave that horoscope safely unread If I believed half the things that those things said about me I'd be too scared to get out of bed
2.
The house looks different now The paint is new, the porch is gone I craned my neck to search for the fort My father built in the backyard But I can't see it anymore It's strange, I still can't explain Why I was so upset last night As if I'm allowed to cut my ties To make new friends and to move on But when you do the same, it's wrong And I can't say that I blame you for making your escape Most of all because I can't say there aren't moments Where I've thought about the same The maps of all those intersecting freeways And the towns to which they belong The siren call of somewhere that has seasons This summer's lasting months and months too long But will you miss it when it's gone? The words and phone numbers In my old yearbooks gather dust Full of paragraphs I'm ashamed to read As if they're not addressed to me It almost feels like eavesdropping And I can't say that I blame you for making your escape Most of all because I can't say there aren't moments Where I've thought about the same The maps of all those intersecting freeways And the towns to which they belong The siren call of somewhere that has seasons This summer's lasting months and months too long But will you miss it when you’re gone?
3.
Postage Paid 04:44
I heard your newest song Don't worry, it's a good one All your new ones are I guess that I've stopped asking if any are about me None of the new ones are It's strange to hear your words now You sing of people I've never known I wonder if you'll hear this If you'll take apart the lyrics, one by one If you think this is about you... well, you're wrong The coffee is a crutch now It's true, I guess This is just me making it through today I'm asking for your address The one that I keep losing I guess I hope each time will be The last time that I need it I keep hoping next time won't be out of state I'm certain that you'll hear this That you'll take apart the lyrics You always do I'm sorry if the things I say will hurt you I'm sorry that they're true Well, this could go on all night Well, this could go on all night Well, this could go on all night Well, this could go on all, all night But the Greyhound station awaits Will you call me when you get there?
4.
In a parking lot littered with square safety-glass I park the car, lock the doors, and let the driver's seat back Shades over the windows, I can finally let myself cry Pathetic, I know Yeah, I couldn't agree more Your phone has been dead for who knows how long It's been weeks, and I worry, but try to just play it off I'm filling the hours with stories, two chapters a week I can sure as hell write, but hell if I can speak The mountains nearby are grown over with grass I guess the rain has been good, but nothing ever lasts We start walking, lose track, and wind up in a strange neighborhood Where I fill up my camera with shots of the sky And of indistinct figures in fading sunlight But get home and the first thing I do is throw the pictures away And John says "If reincarnation is true I might at this point want out of the loop" On a weather-worn table in the park down the road My call finally gets through, I spend an hour on the phone But say nothing at all that doesn't translate "When are you coming home?"
5.
The picture that we took With that old five-dollar camera Hasn't once left my mirror-frame On the bottom strip, next to 8/15/06, I quoted myself: "What we have is the kind of love they make movies about" Not every line I ever wrote in every song was true But that one was... and this is, too When I am lost, yours is the light that guides me home The closest thing this side of Heaven to a picture of God's love My voice always sounds better when you sing along with it You make me better, you make me worth it If you aren't perfect then I don't know or care what perfect is You are the needle and the thread That knits together all my hours and days You keep me whole If I've ever written, spoken, thought, or sung Anything true about love It was about you I have no other honest muse When I am lost, yours is the light that guides me home The closest thing this side of Heaven to a picture of God's love My voice always sounds better when you sing along with it You make me better, you make me worth it If you aren't perfect then I don't know or care what perfect is When I am lost, yours is the light that guides me home The closest thing this side of Heaven to a picture of God's love My voice always sounds better when you sing along with it You make me better, you make me worth it If you aren't perfect, then no one is If you're not perfect then I don't know what perfect is
6.
I know nothing you said wasn't true Believe it or not, I know it better than you It's just tonight was no night for bad news And there's a note on the door from someone else I've let down There's just too damn much of that going around It's not me — all of this — it's not me And I swore I'd be different, I swore I would change Well, sorry To that shy, brilliant child with glasses too big Smiling up at the grown-ups with his small, crooked teeth I'm so sorry This is all you became Enjoy your notebooks of stories and your near-perfect grades Because both will dry up by your nineteenth birthday You won't notice until it's too late to change Every last thing I've promised, they've all fallen through And you can say what you want, but I've failed you, too Everyone that I've loved, I've let down And later this month, I will turn twenty-two And I shouldn't feel scared, but God help me, I do All that time, all those memories, gone All that time, and just what have I done? And to that shy, brilliant child with glasses too big Smiling up at the grown-ups with his small, crooked teeth I'm so sorry This is all you became Enjoy your notebooks of stories and your near-perfect grades Because both will dry up by your nineteenth birthday You won't notice until it's too late to change
7.
We will light torches We will be safe Under the floorboards Hidden away Let me not be afraid Whatever morning comes We are all what you made us We all are trying hard to be good In a pub off the freeway I heard a voice say the words ‘No one will ever die, ever again’ I didn’t know what they were I didn’t understand
8.
You said, "If there is something that I miss More than those high school summers I don't know what it is." And I believe you (No, I can't argue) Convenience stores have never felt the same since then But don't think of that Because those summers are gone and gone and gone And they're not coming back So don't do this (Please don't go) Don't be another victim to the lure of distance The lie that somewhere new can equal starting over When a different town is just a different place In which to feel the same ("It is futile, you can never—" "You lie, you lie" he cried and ran on) It's not because we want to, it's because we have to It's not because we want to, it's because we have to It's not because we want to, it's because we have to It's not as easy as they always made it seem You lie, you lie You lie your head on mine And as your voice is breaking, you whisper "Just tell me that it will be okay..." So sleep, love, sleep And wait for daybreak, wait for morning So sleep, love, sleep Wait for morning Wait for me "Listen: it's not exactly what it seems No, nothing's ever what it seems Listen: it's not exactly what it seems No, nothing's ever what it seems Just please, don't ever not believe..."
9.
If this is all there is, then count me out It's headaches and caffeine It's rationing of sleep I'd trade an hour of these dreams for one more awake I'd rather lose the rest than live through one more night of this But these red lights and stop signs are keeping me still for too long There's too much time to think but not enough to get anything done Just kill the lights, and I'll count my losses There's no point in anything anymore If I can't take a breath, or make the slightest movement Without disappointing everyone There's no comfort in this scripture, or at least not right away Two dozen books go by before I even recognize your face Two thousand years of brimstone, and thirty more of perfect love Sometimes I doubt Moses and Matthew really wrote of the same God (But I'm more than certain which one's wrong) But these red lights and stop signs are keeping me still for too long There's too much time to think but not enough to get anything done Just kill the lights, and I'll count my losses There's no point in anything anymore If I can't take a breath, or make the slightest movement Without disappointing everyone Please forgive me for my sins O God, forgive me what I am So I say my prayers in secret, I whisper words behind closed doors "Be merciful to me, a sinner!", said the tax collector to the Lord When did your church become so prideful? So quick to trade in love for hate? They're preaching Sodom and Gomorrah They hate God's children in God's name But have not a word to say of grace ("Let he who is without sin be the first to cast his stone") Just kill the lights, and I'll count my losses There's no point in anything anymore If I can't take a breath, or make the slightest movement Without disappointing everyone Please forgive me for my sins O God, forgive me what I am
10.
This is the absolute last of my promises I swear to you, I'm finished with this I guess it started as sick curiosity But by now it's just making me sick I've locked the doors of the house, trading shots with myself Inventing drinking games to help pass the time Drink once for inertia, twice for every broken promise Three for every protracted goodbye At this rate, I just might drink myself blind This is the absolute last of my promises I swear to you, I'm finished with this With these lists of suggestions of things I could change To help you stave off your own listlessness It's a race to the finish, take no losses, take no prisoners You can't afford to give in this time Before this cracked and broken canvas, lay a table of your implements The bottles and the chemicals inside To help make things right I will let go tonight To you it seems like selfishness, this self-preserving reflex But honestly, to me this is a conflict of interest I'm no kind of coward, despite my various flaws I just know when I can and when I can't beat the odds So take all your questions, all your meaningless games You and them can go to hell, or at least the hell away from me So take your mixed signals and your infidelities You see, I'm better off without you, but you were much better off with me This is a lesson in self-preservation You wounded an artist… what did you expect? (The bow is drawn, make from the shaft.) This is a lesson in self-preservation You wounded an artist… what did you expect?
11.
These moments frighten me the most Is there anything more horrible than the notion of forever? The very ground a sick and sinking ship The prayer you left behind you becomes a mantra on my lips "Our Father, hallowed be your name..." "Yours is the kingdom and the glory..." Could there be words more pure than this? And when I lie, I speak my native tongue But I am not my own, I'm not I am a price that has been paid I have been ransomed, I have been saved Cut off the hand that makes me sin Remove these thoughts, don't let me let them in "You are a man of God, now act like it" My very doubts fill me with doubt Can a so-called man of faith be so afraid, and yet devout? But if Christ himself can beg you from the cross Asking, "my God, why have you forsaken me?" Then all hope must not be lost for one like me Oh Thomas, tell me please... what did you see? And when I lie, I speak my native tongue But I am not my own, I'm not I am a price that has been paid I have been ransomed, I have been saved Cut off the hand that makes me sin Remove these thoughts, don't let me let them in "You are a man of God, now act like it" But I am selfish, I am weak I am a bruised and bitter seed I am a poor reflection, an echo of Your love I am brightness stained by dark I harbor hate inside my heart Then fingers crossed, I turn and ask You to forgive me I am selfish, I am weak I am a bruised and bitter seed I am a poor reflection, an echo of Your love I am brightness stained by dark I harbor hate inside my heart Then fingers crossed, I turn and ask You to forgive me And when I lie, I speak my native tongue But I am not my own, I'm not I am a price that has been paid I have been ransomed, I have been saved Cut off the hand that makes me sin Remove these thoughts, don't let me let them in "You are a man of God, now act like it" Now act like it
12.
As of this moment I am sure that I've known hopelessness I know this cold and empty cavity within myself The beating heart beneath the floor But I fear that I don't know You I fear I've never known You And it's the worst, most awful silence As I lift my prayers to You And ache to hear Your voice To hear You louder than the whispers That say I am my failures That the worst in me defines me And I'm unworthy of Your love “Be merciful to me” The tax collector pleads I am selfish, I am weak I am a bruised and bitter seed I am a poor reflection, an echo of Your love I am brightness stained by dark I harbor hate inside my heart Then fingers crossed I turn and ask You to forgive me What if I could believe What if I could believe We cannot earn our way to heaven We were never even asked to I am loved here in this moment I am loved for what I am I will do what I am able I will try and I will stumble If I sometimes need forgiveness There is no end to your grace When I have faltered, you have faith I am selfish, I am weak I am a bruised and bitter seed I am a poor reflection, an echo of Your love I am brightness stained by dark I harbor hate inside my heart Then fingers crossed I turn and ask You to forgive me And you forgive me
13.
I've lost track of time I swear I've been walking for hours Through streets lit by TV set windows I was softly repeating your name There is nothing to say, so say nothing I guess that's the game that we're playing Can it be that you still haven't called? Where are you tonight? I've never felt more lost or lonely I just wish that I felt more surprised Oh, and for what it's worth, you were right My timing is always the same Always too far apart or too late There's a taste in my mouth That I can't seem to spit out or stomach I'm afraid this is making me sick There is nothing to say, so say nothing Or were we doing that all along? Is there any such thing as a time before all of this started? Where are you tonight? I've never felt more lost or lonely I just wish that I felt more surprised Oh, and for what it's worth, you were right My timing is always the same Always too far apart or too late Don't call, don’t call If you're just calling late again, please just don't call And if I seem surprised, don't believe it I've been practicing playing this part for longer than you know Rehearsing these lines: "Yeah, I'll be okay" "I'll be fine", don't worry about me" And all the while breaking your heart with my casual surrender And if this is the end, then so be it This won't be the first or the last time I've written you off (For you, no truce No armistice will do Tonight, you play for keeps I play for sympathy) The wish that I made broke every star in the sky The wish that I made broke every star

about

This Glass Embrace has always been a band with two faces, and on our sophomore album, we embraced that dichotomy with open arms.

"Brother, We Are Devils!” is a record split in two. The first half is mostly acoustic: six songs of confessional indie-folk about the lures of wanderlust, the desire to start over somewhere else, and what happens to those of us who are left behind.

The second half embraces our (more usual) punk and post-hardcore influences, and features a great deal more shouting and guitar noises. These songs dig into betrayal, failure, and faith, and how our despair and self-loathing can chip away at the truth that we are deserving of love.

Despite its age and its split personalities, I still think this was one of the best records we've made, and one that had a much greater impact and following than our earlier work ever did. It was a joy to spend time restoring and rediscovering it this year: affectionately sanding the rough edges off of these old, grimy tracks and shaping it into the more presentable version I would have made back then (if I knew how to).

We also restored three deleted songs from these sessions, placed throughout the album, and I think including those helps complete the album's narrative(s) in a new, slightly more hopeful way. Sometimes it is possible to find our way home again. Sometimes we were never lost at all.

- Matt LeFevers, May 8th 2021

credits

released August 8, 2011

Matt LeFevers: lead vocals, acoustic and electric guitars, percussion, keyboards, programming.
Kennedy Rice: acoustic and electric bass, backing shouts.
Zoey LeFevers: drums, screamed vocals.
Jackie LeFevers: lead and backing vocals, choral arrangement.

Guest vocals on "The Footsteps Die Out For Ever" by Travis Gerke of The Labors of Sisyphus.
Cello on "The Footsteps Die Out For Ever" by Raj Kapoor.

Recorded in 2011 at The Fever Room (Phoenix, AZ).
Produced and engineered by Matt LeFevers.

Re-mixed in 2021 by Matt LeFevers at the Studio In Exile.
Re-mastered in 2021 by Bill Henderson at Azimuth Mastering.
New artwork painted by Jackie LeFevers.

All songs written by Matt LeFevers. Copyright 2011. All rights reserved.

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